Top 50 Music List of 2013, Mixtape 3

January 2, 2014 at 5:54 pm (Best-of lists, Music Mixes)


Down the stretch comes the final mixtape of the best music of 2013! Click away.

1. It Hugs Back, “Sa-Sa-Sa-Sails”

The first time I heard this song–which opens IHB’s 2013 album Recommended Record–it felt like a year-old lab puppy had just jumped into my lap and smothered me with affection, totally unaware of its own gloriously clumsy and over-the-top power. This song is a tidal wave of awesome.

2. The Men “Without A Face”

Obviously wearing a Neil Young influence elsewhere on their album New Moon, this particular song sports that influence a bit while still nicely recalling their noisier previous efforts.

3. Emiliana Torrini, “Speed Of Dark”

This is here because Glenn Boothe tweeted about how good her record was last week, and I’ve been listening in a fairly obsessive endless loop since. Slinky and dark and sleek yet not without some rough edges, this Icelandic singer/songwriter album Tookah would be a for sure entrance in a year end top ten albums list, if I still did such things.

4. Superchunk, “Trees Of Barcelona”

Don’t call it a comeback. Superchunk’s second record after a hiatus continues the standards of excellence they’ve always had. One thing that people who write about Superchunk never seem to play up enough to my mind is just how well-built your typical Superchunk song is. This track, for instance is a genius exemplar of how you put verses, choruses, vocal clusters, bridges, and fadeouts together into a near-perfect whole.

5. Temples, “Keep In The Dark”

Here in America we try, we really do. American bands try hard to look like rock stars before they’ve sold a record, try hard to get that 70s feel just right…but we’ve never, not ever done that as well as the Brits. Take Temples, for example, with the Bolan curls and gold lame pants and leather shirts…THESE guys are rock stars. This is a teaser single for a 2014 album that looks like it’ll be an absolute monster. Even better, it deserves to be. This is how you write a fantastic pop single. Dig those harps!

6. Guided By Voices, “Islands (She Talks In Rainbows)”

Well, WELCOME BACK, TOBIN SPROUT! Holy crap, what a song this is. You know how cool and lush and amazing the song that ends the first GBV album ever–“Captains Dead”–sounds? This is that, again, and it feels like some amazing transmission from an alternate guitar rock universe. I know a lot of folks who were stoked that the old GBV lineup were recording again. This is why.  From the album English Little League,

7. Leisure Society, “All I Have Seen”

Let’s put something to rest: The Leisure Society aren’t a folk band. On their 2013 album, Alone Before The Ark, they both pare down their instrumentation a bit while filling out their sound. It’s a rock record with forays into folk, punk (no really!), and even–like here–a bit of blue-eyed soul. Wanna know why they’re Ray Davies’ favorite band? Give this a listen and then ask yourself if any other band could pull off a song this graceful, soulful, muscular and yet delicate.

8. Euros Childs, “Holiday From Myself”

No idea what it is, but something about Euros’s beautiful, winsome voice makes me instantly nostalgic and happy. It conveys a sense of longing and whimsy and sadness somehow all rolled into one. This is music the adjective “lovely” was created to describe. From the 2013 album Situation Comedy, website is here:

9. Mikal Cronin, “Shout It Out”

We live in wonderful times, times where a beautifully constructed hook like the one here captures the hearts of hipsters and cranky old men like me alike. Mikal Cronin at this point in his career seems to be tapping into a talent without boundaries. This song, from the sort of latin-guitar opening to the handclaps and noise closing, is just amazing. From the album MCII, available here:

10. The Martha’s Vineyard Ferries, “She’s A Fucking Angel (From Fucking Heaven)”

Not sure what’s more amazing, the song title (which is clearly the song title of the year) or that the music actually lives up to it. This has a bit of a 90s indie noise punch married to a postpunk whirr of guitars and bass and a song that totally succeeds at making that title pay off. From the 2013 album Mass. Grave, check it here:

11. Eleanor Friedberger, “Stare At The Sun”

The excellence of her solo album, Personal Record, has me thinking about going back to listen to Fiery Furnaces and seeing if that band retcons. There’s none of the affected preciousness I’ve always associated with FF here, just a meaty, wonderfully executed song and album. Check it here:

12. Polvo, “Light Raking”

How great is this song? I mean it comes off sounding like the most pop thing Polvo’s ever done…and then after that first chorus they remind us “Hey, you’re listening Polvo, cheese.” Love the way this songs subverts expectations constanstly throughout, with those Don Henley synths on the chorus to the way they deconstruct and rebuild it all again. From the 2013 album Siberia, check it here:

13. Brendan Benson, “Oh My Love”

Benson’s consistency became almost (don’t tell anyone I said this) dull in the past few years. In 2013, he released a single each month, and the unique approach seems to have fueled a new creative spark in his work. This song is like a swaying, swinging Pachelbel’s Canon with clever lyrics and brilliant execution. Benson collected all his 2013 singles onto an album at year’s end called You Were Right. Check it out here:

14. The Parquet Courts, “Borrowed Time”

Yes, I know. You’ve heard this song dozens of times over the last year. So what? When a group of young NYC area rockers gets together and perfectly distills the things I loved so much 20 years ago in Big Dipper and Hypnolovewheel and this time the whole world notices…well we’re taking that for a victory lap here.

15. Dragoon, “Be In My Movie”

After waiting for a couple of years for the first Dragoon album, this one just sort of seemed to spontaneously appear last winter. Astonishingly, the album–The Galaxy Is But A Nursery–is better than the debut. This song is emblematic–loud, raucous, hook-filled, and clever. Check it out:

16. Franz Ferdinand, “Right Action”

We promised you hits, hits you get. Yes, this song is all over cooler radio stations–but with good reason. This is how you write an outstanding, butt-shaking, anthemic post punk anthem…and we’ll ignore that it completely rips off That Petrol Emotions “Big Decision” for now.

17. My Bloody Valentine, “In Another Way”

Of all the tracks on My Bloody Valentine’s surprising return to the land of the living sort of self-title album MBV, none sounded so much like a continuation of themes from Loveless than this track. Interestingly though, this song also best shows the way to a future MBV sound and future records, if they feel like it. A beautiful, sensual assault.

18. The Elephant Stone, “The Sacred Sound”

The Elephant Stone’s self-titled 2013 album might be one of the best two or three records that came out in 2013, and what makes it striking is how often it both hews close to a formula before then breaking away from such constraints. For instance, this song is all feedback and noise that gives way to woozy strings and Rishi Dhir’s echoed voice closing out our look at the past year with one of the most gorgeous songs that came out in the last 12 months.

That’s it, we’re done! Thanks for reading or listening or tolerating. Have a lovely 2014, y’all.

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Top 50 Music List of 2013, Mixtape 1!

December 31, 2013 at 1:16 pm (Best-of lists, Music Mixes)


Grab the mix by clicking this text, and then let’s get to the Devil’s Music.

1. The Future Of the Left, “Singing Of The Bonesaws”

This song made me laugh out loud the first time I heard it. Like early Art Brut, only crankier. Taken from their album How To Stop Your Brain In An Accident. Band webpage here:

2. Mazes, “Hayfever Wristband”

I just discovered Mazes this past year, and all their records are outstanding. I like this song for especially feeling sorta like what you’d get if Michael Quercio of the Three O’Clock was the lead singer of the Volcano Suns. From their album Better Ghosts. Band webpage here:

3. Dutch Barn, “Come Down”

If there’s a trend to 2013 I stand firmly in favor of, it’s a return to the amazing music and style of the 1990’s. Dutch Barn are a UK band who totally nail a sound that feels like late-period Feelies covering Pale Saints. This is a great song to drive/play air drums to as well, just saying. Band website here:

4. Mark Mulcahy, “She Makes The World Turn Backwards”

Mulcahy was the leader of the great 1980s band Miracle Legion. The tragic loss of his wife a few years back seems to have pushed him back to making music, and his 2013 record Dear Mark J. Mulcahy, I Love You might be the best thing he’s ever done, which is saying something. Website here:

5. Youth Lagoon, “Mute”

There are some Youth Lagoon songs that don’t do much for me, but on this track when the that weird synthy fanfare kicks in (is that a mellotron?) it’s so woozy and swoony that it makes my heart catch. From the evocatively titled album Wondrous Bughouse, webpage here:

6. Sam Phillips, “Pretty Timebomb”

Every few years Sam Phillips makes an album, and since divorcing herself literally and figuratively from the over-blandness of former husband T-Bone Burnett’s production, her records are unfailingly interesting and excellent. From her latest album, Push Any Button. Her web site is here:

7. British Sea Power, “Guillemot Girls”

I’ve always liked the idea of this UK band more than I’ve liked their records, but in 2013 they did the soundtrack to a film called From The Sea To The Land Beyond and it all just clicked perfectly. The album has the same title as the film, the webpage is here:

8. Sweet Apple “I Wish You Could Stay (A Little Longer)”

Sweet Apple is the collaboration of some old school indie vets, notably John Petkovic of Cobra Verde and J Mascis of Dinosaur Jr.  Their previous record was a bit hit or miss, but this single, a preview track from a forthcoming 2014 album, is one of the best songs I heard all year. Just a brilliant job of pop song craftsmanship, where everything is just PERFECT…including the guest duet vocal from Mark Lanegan. Band Website (with the single) is here:

9. The Resonars “Tomorrow Gears”

God bless Matt Rendon and his band The Resonars. As you can tell by listening, The Resonars live in a world where The Creation, The Action, and The Move still rule and 1967 loops back on itself again and again. From their excellent 2013 album Crummy Desert Sound (one of my favorite album titles in recent memory, that.) Available here:

10. The Limiñanas, “La Meloncolie”

A great Francopop cut of sheer Gainsbourg-ian genius, this is the slinky seductive catsuit beat you’ve been looking for. From the album Costa Brava, website here:

11. Unknown Mortal Orchestra, “Secret Xtians”

As great as UMO’s debut album was, the follow-up seemed destined to disappoint. It’s actually very solid, and this track rules. The record is called II, and the band’s site is here:

12. Ex Cops “You Are Lion I Am Lamb”

The teaser singles for this NY-area dreampop band in 2012 hinted at great promise, and their January record delivered. This is one of the most gorgeous hooks of the year, period. Don’t trust Spotify’s year date on this, it’s 2013, from the outstanding album True Hallucinations. Trust me on this. Web page is here:

13. Someone Still Loves You Boris Yeltsin, “Nightwater Girlfriend”

Every year it feels like SSLYBY puts out a great record that deserves to be a hit. These folks from my old home state of Missouri are just amazingly, consistently excellent. Dig the way they sway and swing the beat here halfway through. From the 2013 album Fly By Wire, the band page is here:

14. Minor Alps, “I Don’t Know What To Do With My Hands”

2013’s “Had me at hello” moment was finding out that this band was a collaborative project of Juliana Hatfield and Matthew Caws (of the excellent Nada Surf). All over this record I kept feeling like “They should’ve done this years ago”, so perfectly do their voices and writing styles blend into a glorious whole. From their album Get There, here’s hoping they do this again. Band’s hub is right here:

15. David Bowie “Valentine’s Day”

A bittersweet discovery, as I’ve not given many latter-day Bowie projects the time of day. Upon the tragic death of Scott Miller, however, I discovered that his favorite record of the year to that point was this astonishing return to form here. And so here it is:  Bowie’s record, The Next Day, really is terrific and has some of his best songs in decades. Website here:

16. Smith Westerns, “Glossed” and “XIII”

I started out loving these Chicago suburb wiseacres, and then I sort of got tired of them equally quickly. Imagine my surprise at discovering their growth and evolution on their 2013 album Soft Will. This track is absolutely gorgeous with a monstrous melodic hook that should’ve made it a massive hit. Better still, “Glossed” flows seamlessly into “XIII” on the record, giving this mix a delirious two-fer to close out the first tape. Band’s website is here:

Tomorrow, Mix Tape 2, which is all Arcade Fire songs in a loop.

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The Very Best Music of 2013. Period.

December 31, 2013 at 1:15 pm (Best-of lists, Music Mixes)

2013 best of

In the past whenever I’ve scraped enough time to do a year-end list of the best music from the previous 12 months, I’ve always presented it with a sort of  genial “Aw shucks-ness”, saying that a particular grouping of songs or albums were just my personal choices for my favorites, but that there were other just-as-worthy lists out there.

Every year I’ve done that, I get the feeling that folks who read my list tousle its hair, cluck it on the chin and say “Aw, that’s a nice list.”

Hell with that.

This year’s list is the definitive list of the best songs representing the best albums and/or artists of 2013. Period. End of story. There’s no equivocating here.  You might see other lists out there, polluted by crappy artists who have no business being under such consideration. For instance, if you put Haim on your list, I at least hope the damn check cleared for you. (As radio fodder/vacuous pop crap, Haim are fine. Wonderful in fact. If they’re in the same list as Kurt Vile, though, you’re trying too hard.) Don’t call this a bias against being popular, either. Some of the best songs of 2013 were exceedingly popular, and they’re represented here.  We got your back, in other words, and yeah, I’m aware that this is one of a gajillion lists of best music of 2013 out there. What I’m saying is this: my list is the one that matters, that won’t fail you, that actually really is the best music of 2013.

So there.

What I did last year I’m doing this year. Instead of blathering on and on and boring everyone with a wall of words, I’m instead doing a mix of the best of the year in songs. What I did was select 50 songs from the year. They’re either the best songs, or the songs I think are most representative of what the album they’re on is about, or are the best way for someone unfamiliar to find their way into an artist or album they might not know. That’s the criteria: outstanding song, representative song, and/or easiest access into the rest of the record or artist.  Most of the time, it’s a mix of all three of those things.

Thus, I have for you the Top 50 of 2013. You know why this Top 50 is better than anyone else’s Top 50? Here’s why: THERE ARE 52 SONGS IN MY TOP 50! Rolling Stone or Pitchfork will give you a Top 20 or Top 100 or whatever…but you know how many records or songs will be in their lists? Yeah, exactly. 100 or 20 or however many they say.  Are they unfamiliar with the concept of a lagniappe? A baker’s dozen? I’m promising 50 songs, but delivering 52. That’s clearly better. Empirically, even.

Even better, with 52 songs, I broke them into 3 separate mixes, each about 60 minutes long. The songs are absolutely positively in no order of quality. Instead, I picked songs out that flow together, and put them in an order that makes for a great listen while, say, you walk from the National Gallery Of Art to the Jefferson Memorial and back to the train station…or drive from Virginia to Vermont to ski and back. There’s an ebb and flow and back and forth here.

What I am going to do here though is live blog listening to the tunes here to tell a bit about why they’re here and why I picked ’em. Nothing huge, just a sentence or two. We’ll do Tape Numero Uno today, Tape #2 tomorrow, and Tape #3 on Thursday.  Let this page be the placeholder for all that, with cross links to the other mixes.

First up, Mix Tape #1!

Mix Tape #2!

Mix Tape #3!

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2012 In Fifty Songs

December 10, 2012 at 2:13 pm (Best-of lists, Music Mixes)


There are many things I am not good at doing.  One of them is telling people how much I appreciate the posting links to videos and songs and whatnot in twitter and facebook posts, or just dropping me a line about something they’ve heard.  What you all may not realize is that I make a point of listening to each and every piece of music I’m hepped to in those ways.  No really, I do!  I figure if someone is moved enough by a song or an artist to post about it that there’s probably something there worth my five minutes to listen to.  I’ve heard a lot of music that didn’t click with me by doing that.  The great thing is, I’ve also heard a lot that did move me.

What this is is a summary of 50 songs from 2012 that moved me enough to want to hear more.  They’ve become representative of my favorite records and artists of 2012.

I could spend days telling you about the music so many of you have told me about this year (in what was a rich and amazing year for great tunes), but instead I’d like to show you.  Better yet, I’ll let you listen to them!

I won’t use the same words and phrases you’re used to hearing from me to say how much I liked certain stuffs in 2012.  Rather, I figured I’d get back to my roots and just do a music mix of my favorite songs and artists from the past year. Been about six or seven years since I’ve done this, but I’m pretty happy with the way things turned out.  Additionally, thanks to Spotify,, and Twitter I feel like I heard so much good music by so many great artists in 2012 that trying to pare things down to just 20 records would be an impossible chore.

So what’s all this then?  Let me try to explain.

1. I broke the 50 tracks down into two separate mixes of 25 songs each.  The mixes are interchangeable. I just separated things by how the flow goes. Each one is about 90 minutes. Each is crossfaded and normalized and one big mp3 file. The idea is, listen to all of it or come back to it, do whatever. That said, the object isn’t “Hey, how can I grab these songs?!?!” If you try, you’ll be stuck with the crossfaded bits and bytes from the beginning and end to each song.  Instead of going to that trouble, throw some worthy artists some money, huh?

2. These go in order. That order has nothing to do with chronology or perceived quality. The order is: these mixes need to flow, one song into the next. Each one is autonomous.  There should be a beginning, a middle, a few peaks, a few valleys, and then a wrap up. When you get to the end of one of the mixes, it should feel like you’re at the end, y’know?

3. Finally, thanks are in order: everyone who contributed to the “What are you listening to” 2012 thread at Quarter To Three, anyone who’s ever pm’d me or emailed me with a song or record or artist to listen to, anyone who’s ever posted a music video on my Facebook timeline,  anyone who’s ever DJ’d in a room in Turntable, anyone who’s contributed a record to our Bitches Brew Spotify playlist….THANKS!!!!! This mix is as much all of you, and a tribute to all your good taste, not mine. I just manage to occasionally shut up long enough to listen when someone says that they like a song and then find the time to go see if I like that song, too.

These are the songs I liked off records I liked by artists I liked this year. They’re probably not the “best” of 2012; there’s probably not much crossover in the venn diagram of “stuff I really liked” and “stuff that sits on most critics’ lists”. I didn’t always choose the “best” song off a record I liked, either, necessarily. I picked songs in a lot of cases that I thought were representative of an album I liked a lot, and gave special consideration to songs that fit with a mix better, too. At any rate, I hope y’all will hear a few tunes you like, too!

“50 Smash Hits From 2012!”

Gangnam Style:

  (Right click and “save as”…or just click to stream)
1. Japandroids “The Nights Of Wine And Roses”
2. Ty Segall and White Fence “Easy Ryder”
3. The Brian Jonestown Massacre “Viholliseni Maalla”
4. CaveofswordS “Ghryme”
5. Disappears “Replicate”
6. Weird Dreams “666.66”
7. A. C. Newman “I’m Not Talking”
8. The dB’s “Send Me Something Real”
9. Frank Ocean “Bad Religion”
10.Lee Fields “You’re The Kind Of Girl”
11.The Bamboos (Feat. Tim Rogers) “I Got Burned”
12.Rodriguez “Can’t Get Away”
13.The Dum Dum Girls”Season In Hell”
14.The Human Eyes “Born To Die”
15.Diiv “How Long Have You Known”
16.The Delta Spirit “California”
17.The Blakes “Narwhal”
18.Sharon Van Etten “Serpents”
19.The Cheatahs “The Swan”
20.I Was A King “Indiana”
21.The Mark Lanegan Blues Band “Leviathan”
22.The Cloud Nothings “Wasted Days”
23.Jack White “Hypocritical Kiss”
24.Euros Childs “These Dreams Of You”
25.George Harrison “All Things Must Pass (Demo)”

Call Me Maybe:

1. The Men “Open Your Heart”
2. Ex Cops “The Millionaire”
3. Lotus Plaza “Eveningness”
4. Sinead O’Connor “The Wolf Is Getting Married”
5. The Resonars “Sit Right Down”
6. Snake & Jet’s Amazing Bullit Band “Black Egg”
7. Randy Michael & The Well Dressed Lads “The Face”
8. Sleepy Kitty “Don’t You Start”
9. Toys That Kill “Stye”
10. Giuda “Number 10”
11.Nada Surf “Jules And Jim”
12.Tame Impala “Feels Like We Only Go Backwards”
13.The Allah Las “Don’t You Forget It”
14.Twelve Thousand Armies “Darling Let’s Breathe”
15.Nude Beach “Some Kinda Love”
16.Redd Kross “Stay Away From Downtown”
17.The Mountain Goats “Cry For Judas”
18.The Amazing “Flashlight”
19.Lightships “Silver And Gold”
20.The Royal Headache “Down The Lane”
21.Bob Mould “The Descent”
22.Richard Hawley “Down In The Woods”
23.Aimee Mann “Soon Enough”
24.Woods “Is It Honest?”
25.Spiritualized “So Long You Pretty Thing”

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O Pitié Dracula! (Halloween Music Mix, 2012)

October 24, 2012 at 4:23 pm (Music Mixes)

Of course you knew this was a-comin’.  Of course you did.

Let me go one step beyond, so to say, though:  of all the Halloween Music Mixes I’ve done, I’ve never thought of one as being as good as this one.  Really.  This one’s my favorite.

A few credits need to go out, especially to a turntable DJ named UncleJim who managed to turn me onto some fan-damn-tastic and great Halloween tunes.  Not all of them fit the spirit (haha, Halloween puns) of this year’s mix, but at some point in some mix, I’ll absolutely make room for Rosemary Clooney’s “Wobblin Goblin” or Patsy Montana’s “Yodeling Ghost” (seriously, now you’re dying to find out what a song sung by Patsy Montana called “Yodeling Ghost” sounds like, aren’t you?)

Another thing:  there’s only one repeat here from past mixes that I’m aware of:  back in 2002 I made a CD-only mix that had a certain Bunnymen song on it.  I’m pretty sure that’s the only time I used it.  This year I planned to use Grant Lee Phillips’s acoustic, folky version of that song…but as I listened, it just didn’t fit or really work.  I wanted Ian McCulloch’s over-the-falls vocal and Will Sergeant’s reverby guitar and missed them greatly.  So.  Original version is back, but probably a first for most folks reading this.

Now, there are two covers of songs I’ve used in the past.  One is at least as good as the Donovan original that I’ve nicked previously (no spoilers, but seriously, if I told you what the cover was and you hadn’t heard it yet, you’d be all “That’s gonna suck, dude”; I’m here to tell you that not only does this unlikely cover work, but it kicks ass nine ways to Sunday).  The other cover I have come to believe is far superior to the goofy, almost uncomfortably minstrel-show-sounding original.  I’ve used that original, and even a Nina Simone cover, but honestly this is one blues number where the angry hippie from San Francisco does the angriest and most-frightening and unhinged version.  Plus, I love Creedence….(more Halloween references for the win!)

For bonus points, this year’s mix also has a Holland/Dozier/Holland song (see if you can spot it!) as well as a Joe Meek production.  We’re nothing at if not a little bit aware of our hip forebears.  Also, yes, I know that given the untimely demise of Broadcast’s lead singer that one particular track is a little…ookie.  I prefer “eerie” here to “inappropriate”.

Enough of my yakking.  Here’s the mix, all stitched together like a 71-minute podcast in 192 kb mp3 glory, with all tracks mixed and normalized to maintain fidelity and volume consistency.  As ever, I strongly urge you to just listen at least once without checking the track list.  It’s more fun that way.

Also this year a warning, since I’ve heard from some of you that you play these mixes in the car with kids or when handing out treats on the 31st:  The very end of the very last song on the mix has pretty clear NSFW language; it’s a lyric that quotes a pretty famous movie, and it’s fleeting before the fadeout, but it’s there.  Just fair warning–if kids or bosses or moms are actively listening, probably best to hit skip when the Lambs get all Silent.

Let’s get to some music!

O Pitié Dracula! (Halloween Music Mix, 2012)

Click Drac’s picture for the MP3….

or for the reading averse, here you go:

O Pitié Dracula!

Track list?


Fine.  Don’t say I didn’t warn you about spoilers, though.

1. …
2. Billy Taylor “Wombie Zombie”
3. Cavemen “Vampirer”
4. Rockwell “Someone’s Watching Me”
5. Christine Pilzer “Dracula”
6. Superdrag “Do The Vampire”
7. The Gothic Archies “Scream And Run Away”
8. Lou Rawls “Season Of The Witch”
9. Jackie Morningstar “Rockin’ In The Graveyard”
10.Broadcast and The Focus Group “Seancing Song”
11.Portishead “Over”
12.Chet Baker “That Old Devil Moon”
13.The Moontrekkers “Night Of The Vampire”
14.R. Dean Taylor “There’s A Ghost In My House”
15.Echo & The Bunnymen, “The Killing Moon”
16.The Fall “I’m A Mummy”
17.The Soft Boys, “Strange”
18.The Chameleons U.K. “Swamp Thing”
19.The Tombstones “Black Cat”
20.Creedence Clearwater Revival “I Put A Spell On You”
21.Don Bishop “Nightmare”
22.The Greenskeepers “Lotion”

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cHr15tmA5 dR0pZ–A Dubstep Christmas

December 16, 2011 at 7:39 am (Music Mixes, Uncategorized)

Aw yeah, it’s that time of year!  We the humble blog elves of Popnarcotic happily present you with the coolest thing ever:  Dubstep Christmas, 2011!  This was the year we fully embraced a music movement that isn’t at all fleeting or breathtakingly awful and yeah I’m talkin’ serious dr0pz yo.  Without further ado, here’s the track list:

1.  “Adeste Fidelis”  –deadmau5 (27:29)

2.  “God Rest Ye Merry Gentlemen” (Extended)  –DJW00t with do5ta4 n w00dy (41:13)

3.  “Fairytale Of New York” –The Pogues (3:41)

Click me for download page!

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More Halloween Music Mixes!

October 31, 2011 at 12:42 pm (Music Mixes, Uncategorized)

Just realized that when I migrated to WordPress in the winter of 2010, I never did bring over some Halloween music mixes.  Let’s fix that.

For giggles, here’s the 2007 mix, Gravest Hits 2007.

Here’s the 2008 mix, Gravest Hits, 2008.

Here are the TWO mixes (yeah, not doing that ever again) from 2009:

I Seek To Eradicate These Things With A Shovel


Rosedale At Midnight

In case you missed last year, here’s 2010’s mix:

Black As Night, Black As Coal

Combined with this year’s mix (which you have to scroll down for) that’s about 7 1/2 hours worth of Halloween-themed music, with maybe just a couple of repeats. If you want track lists, just click on “October” of whatever year, 2007-2010.  The link to the mix is dead (haven’t fixed them yet, and I have a ton of stuff to get done today, so they’ll stay unfixed for a while) on those months, but the track lists are there.


Enjoy and Happy Halloween! Be safe everyone!

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