Sounds A Little Bit Like Christmastime! (Holiday Music Mix 2022!)
Merry Christmas! Happy Hanukkah! Blessed Kwanzaa! Or just best wishes on the end of the year, happy solstice, etc. etc. Regardless of how or why you celebrate, it’s that time of year when a young man’s attentions turn to cheer, joy, friends and family nearby and far away.
I really planned to have this done last week. Two weeks ago, even. But every time I’d listen to the mix of songs I thought I’d use, I’d realize that the mix was either really slow and sad-feeling (which, yeah, I’m not here to be the Feelings Police by any means, but I’m also not making music mixes for Christmas to have everyone crying in their seasonal Christmas ales either.) I tried moving songs around. Nope. So I started subbing stuff in, and tearing stuff out.
Thus and so, suddenly it’s Sunday and I’m starting to wonder if I’ll even have a holiday music fiesta to share this year. After having a lovely dinner out with a couple of friends, I got home that evening and decided to do a little bit of prep for work on Monday — meaning fiddling with some spreadsheets. Excitement. I also figured I’d take another stab at things with the holiday music mix, and rearranged a few more songs, added two, took out three. Started playing it while I worked, not really paying attention to the tunes.
And so that’s when it happened. Somewhere around minute six or seven or eight into the mix, I realized that I’ve had kind of been bopping and bouncing in my desk chair to the music, absently playing drums on my desk with a pen. And all that warm and fuzzy George Baileyish, Bob Cratchity holiday spirit is roaring in my veins.
Which is to say, we have a mix of holiday tunes for 2022! What do we have this year?
The whole thing kicks off with the inimitable JD McPherson. JD’s Christmas album, Socks, is a must-have. And wahey, a new Chris Isaak holiday music album? Yeah, sign me up. And though I’m no fan of certain singers trying to proclaim themselves the Queen of Christmas or whatever, I am a huge fan of Charly Bliss taking that singer’s song and absolutely rocking it; I’ll take helium-voiced Charly Bliss lead vocalist Eva Hendricks over the original any day.
There’s lots of fun stuff packed in here. Irish band Pugwash do a ripping good job with XTC’s “Thanks for Christmas”, and God bless Pugwash frontman Thomas Walsh for singing it in his own Dublin accent (essentially making this song “T’anks for Christmas”). I love Remi Wolf’s soulful take on “Winter Wonderland”. I’d also been thinking about using Sparks’s amazing “Thank God it’s Not Christmas” in a mix for more than a decade, but always wondered, “Are people ready for Sparks?” It’s 2022. Any of y’all who are still uninitiated and unaware of their enduring brilliance are finally ready for Sparks.
One of the few repeat tracks on this year’s mix is “Just Like Christmas” by Low. Sadly, Low singer and drummer Mimi Parker passed away a few weeks ago, and I’ve had that track going through my mind ever since…so it’s here again. I love the Swansea Sound song here as well; that’s the collaboration of Hue Williams and Amelia Fletcher (Heavenly, Marine Girls, etc) and company. (Should any young’uns out there ever be told that playing rock and roll is the way to a dissolute future, steer them to Ms. Fletcher’s hilariously unique wikipedia page which begins by identifying her as a singer, songwriter, guitarist and economist before noting that she’s a Commander of the Order of the British Empire.) And finally, if “Groovy Xmas” by the Linda Lindas doesn’t get your blood pumping, you may not be ready for the oncoming holiday.
As is tradition, this is one long MP3 — everything’s sequenced the way I’d like, with the volume across the tracks normalized so you won’t get too blasted out by the rockers here. You should be able to right-click and download, or just click to stream.
And as always, I hope this music finds you in fine fettle. Have a happy and joyous and safe holiday season!
Sounds A Little Bit Like Christmastime! (Holiday Music Mix, 2022)
Oh, and howzabout a track list:
- JD McPherson “What’s That Sound?”
- Chris Isaak “Almost Christmas”
- Charly Bliss “All I Want For Christmas Is You”
- The Linda Lindas “Groovy Xmas”
- Swansea Sound “Happy Christmas To Me”
- Sparks “Thank God It’s Not Christmas”
- Remi Wolf “Winter Wonderland”
- Low “Just Like Christmas”
- Andy Bell “Listen, The Snow is Falling”
- Huey Piano Smith & The Clowns “‘Twas The Night Before Christmas”
- The Walkmen “In the New Year”
- Otis Redding “White Christmas”
- The Bell Rays “Rocket Ship Santa”
- The Killers “Great Big Sled”
- Pugwash “Thanks For Christmas”
- Cheap Trick “I Want You For Christmas”
- Punchline “Together”
- Boston Spaceships “Christmas Girl”
- Tracey Thorn “Joy”
- The Pogues and the NYPD Choir and such
Daniel Romano’s Pandemic Year (A music mix, sorta)
In the first week of March of 2020 like lots of us, the oncoming pandemic got the better of Daniel Romano and his band The Outfit. The group’s seemingly endless tour was on the east coast of the US when I’m assuming a combination of Covid-cancelled gigs and worries over getting back across the border into their native Canada had them pull up stakes and head back home to Welland, Ontario.
During a mandatory self-quarantine on return, Romano — who apparently needs to be making music the way sharks need to swim — plotted out what an extended time being unable to play live shows might mean for him. And I guess he decided to return to some album demos he’d come up with over previous years. (Note, not song demos — full albums he’d written out and maybe recorded quick demos for.)
And so by mid-March, Visions Of The Higher Dream, an album credited to Romano solo — with some assistance from friends — landed. As the pandemic wore on through the year, from March through November Romano released an absurd 10 albums (I think that’s the number we’ve all settled on now for that). Those include three records with (or as) the Outfit. (Of which, it should be said, is about the tightest, sharpest rock and roll band on the planet right now, and if you get a chance to see them on their current endless tour you should. Thank me later.)
He also put out a couple of collaborations: a 22-minute prog rock song with Danny Carey of Tool, and a sort of post-hardcore power-pop ep called Super Pollen. Interspersed through all of that were four records — all solo, with Romano playing most of the instruments in his home studio — that seem sort of thematically linked to one another. In addition to Vision Of The Higher Dream, there’s Dandelion, White Flag, and in March of 2021, Kissing The Foe. That’s four solo albums in about a calendar year.
And when I first realized how many of these solo records Romano dropped in a year, without having sat to listen to them I figured “Oh, he just put out his demos.” Which…no. Imagine my surprise when these turned out to be fully-realized, fully-arranged tracks, none of which sound incomplete. Quite the opposite, in fact; these are songs that sound complete and lush and meticulously crafted.
But what links them together in my mind at least is the kind of music on them. Those four records seem to be tapping into this circa 1970-1973 era of Neil Young, early McCartney solo, Danny Kirwan era Fleetwood Mac and absolutely Badfinger. With horns. And string sections.
And for whatever reason, only a small number of the records released by Romano and the Outfit and other friends during this absurdly productive lockdown period are available through your traditional streamers. And NONE of these four thematically linked solo albums are. They’re only available from You’ve Changed Records (the label that Romano and Constantines singer/guitarist Steven Lambke founded) on Bandcamp. And the next time we get to a Bandcamp Friday you should definitely grab as many Daniel Romano albums as you can from them: https://danielromano.bandcamp.com/music
In the meantime, it was feeling to me like in these four solo albums I’d discovered some sort of hidden goldmine. I don’t think these records are meant to be secret. I don’t think they’re meant to be tough to track down. But damn. It feels like a whole lot of folks that listen to the a lot of the same music I listen to should be listening to these albums. On repeat. Constantly.
So I created a 1-hour sampler platter from those records. 16 tracks. It honestly feels like you could make three similar playlists from just these albums and they’d all be good, because as individual albums they’re all so great. And if you expand things to include The Outfit records, and other stuff Romano and the band recorded together you could put together more than a half-dozen playlists of similar quality music without having to try too hard.
And so without further ado, here’s my little Daniel Romano One Year solo playlist/mix. As I do with these things, it’s one extended MP3, with the sound volume normalized, tracks in a specific running order, and everything crossfaded with purpose to make for a fire-and-forget 57 minutes covering 16 songs. Since (I’m hoping) you’re going to hear songs here and immediately need to know what they’re called, here’s the track list:
- “Where May I Take My Rest”
- “I Cannot Be More Lonely”
- “maybe today will be curious”
- “if you don’t or if you do”
- “I’m Only Love”
- “Singers In Season”
- “Into A Rainbow”
- “Mysterious Storm”
- “Don’t Turn Around Janet”
- “Appaipoure”
- “Nobody Sees A Lowered Face”
- “New Milk”
- “Blue Heron”
- “Walking Around Holding Hands”
- “Hot Change”
- “Lilac About Thy Crown”
Click this to stream/download/listen:
Daniel Romano’s Solo Pandemic Year
(Recommended very strongly for aficionados of circa-1971 post Beatle solo work by Sir Paul and George Harrison, as well as fans of Neil Young of that era, Ian Matthews, Danny Kirwan, Badfinger, The Rolling Stones, Flying Burrito Brothers, etc.)
Dancing in the Snow (Holiday music mix, 2021)
Well Merry Christmas, or happy whatever-holiday-you-like for 2021! It’s been a long year, but we sure have come through quite a journey, right? Sure, we’re dealing with worries about the future, and especially Covid, and….wait.
Is this Christmas or Groundhog Day?
Yeah, yeah. I know it sucks to still be dealing with the same ol’ crap in a brand new year and whatnot. Welcome to living in interesting times, I guess. And I sense that among many households, Christmas is going to once again be a very low-key affair yet again, which stinks.
But it is the holidays. There’s a chill in the air. It’s snowing in places that desperately need snow. Everyone in our neighborhood has lights up outside. While standing in line at the bank last week, people were actually…friendly? December always has worked some wonders on the psyche.
And so that brings me to this year’s holiday music mix. I nearly went for something more somber downcast, given all the pain and sadness in the world right now. But then I realized that there’s always pain and sadness in the world, every December. And every other month in every other year, too. That’s what the world is, I’m afraid.
But if you’re willing to see it, there’s also so many reasons to be happy, thankful, and yeah, even a little joyful this December as well. And so given the choice of going for Sad Christmas songs or Happy, I decided to do a little bit of dancing in the snow, so to speak. Thus, this year’s mix is teeming with happy songs, both new and a few favorites from years gone by — including the return of the capper for Christmas mixes past, because why not.
And so here you’re gonna find David Newton and his newish band kicking things off. If you’re a Britpop fan, you may recognize his voice from The Mighty Lemon Drops, back in the day. Don’t trust the title of that Candypants song about Happiest Time and whatnot…but don’t worry, because the amazing voice of Grant Lee Phillips is there to bring the mood back pretty quickly.
And you all were supposed to make “Christmas With the Snow” a perennial holiday favorite when last I used it on a mix about 10 years ago. Yet somehow it languishes with fewer than 10,000 plays on Spotify. I know that song is A LOT to take the first time you hear it. But it’s never leaving your brain after that, and you’re gonna come back to it, and in no time it’s going to make you feel like Snoopy dancing.
We back it off a little after Lou Rawls’s joyous holiday track (note to self, I need to listen to more Lou Rawls in the new year). I mean, you can’t follow that exuberance, really. But we build it back up later (Otis is back!), continue the mood with that EXCEPTIONAL song by Blackbird, and finally take it home to a familiar finish.
I hope this season finds you well in spirit and mind. As usual, it’s one long connected MP3, sequenced and mixed for normalized volume. Be safe and mindful this winter! Get vaccinated, get boosted when you’re eligible, and be smart out there so we can all come back next December again!
Dancing In The Snow (Holiday Music Mix, 2021)
What’s that? A track list? Coming up:
- Vale, Norm
- “Winter Tragedy” David Newton & Thee Mighty Angels
- “All The Gifts I Need” JD McPherson
- “The Happiest Time of the Year” Candypants
- “Winterglow” Grant Lee Phillips
- “Christmas With The Snow” Marah, feat. Felicia Navidad
- “Dancing in the Snow” The Leopards
- “Good Time Christmas” Lou Rawls
- “Yule Tide Me Over” The Minus 5 feat. Kelly Hogan
- “Hear the Bells” Calexico
- “Greensleeves” Vince Guaraldi Trio
- “Winter Goes Away” I Was A King
- “Lady December” The Concretes
- “Christmas Party” Dr. Dog
- “Merry Christmas, Baby” Otis Redding
- “Christmas Getaway” Blackbird
- “All I Want For Christmas” Pip Blom
- “She Whispers The Winter Snow” The Autumns
- “Cocktail for Christmas” India Ramey
- “Quartermaster’s Wintertime” Bill Fox
- The Boys of the NYPD Choir singin’ Galway Bay…
Some notes about a Christmas music Mix.
At Christmas, some kids write letters to Santa. This (aging quickly) kid writes letters to a music mix. There’s that whole missing year thing, too. To start off with, you didn’t miss any 2019 holiday music mix from me…I didn’t make one. Or should say, I didn’t finish one. I got about 2/3rds of the way done, realized that for various reasons it felt…not right….to do a mix last year. And so I didn’t.
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Well Turn It Up, Man!
13 years ago (!) my buddy Rob Morton and I made this mix. I’d sort of forgotten about it but he reminded me of it today and well…it’s pretty damned good if we do say so ourselves. Enjoy and happy Good Riddance Day!
So yeah, that Family Dynamic mix is a corker, right?
I’ve known Rob for a few years now, and he and I have musical tastes that are eerily similar…but with slight variations, too. There’s enough overlap and dovetailing in the musics we both tend to listen to that, well, we had to do a CD mix together.
So yeah. He and I labored over this thing for a few weeks now, and here’s the results. Hope you like it. A holiday weekend gift from Morton and me, for you to listen to and enjoy. Again, it’s all joined together as one long .mp3 file to preserve the continuity and flow and segues. If you want to burn it to CD, be sure you used the “disc-at-once” method, or you’re likely to get weird “hiccups” in the transitions.
Oh! One other thing: Have a terrific weekend, folks!
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We’re All Skating on the Same Thin Ice (Christmas Music Mix, 2017)
Whew, just enough time to get this year’s Christmas music mix down the chimney and into the ears of every (mostly) good little boy and girl on Santa’s list. 2017 has had its share of ups and downs, but for the season I’ll set the bad bits aside and focus on the merry stuff. 2017 has been quite good to me personally, so I hope some of my good fortune rubs off.
This year’s Christmas music mix feels a little bit more “indie” than previous years. As I kept wading through the folder of prospective holiday tunes I keep, I kept noticing that there were so many major, obviously talented artists who utterly mail it in when they try to do a Christmas song. There’s a songwriter’s trick for creating a song within a certain theme that involves the writer simply listing some things associated with the subject, and then using that to get some inspiration to write a song with.
Far too many holiday pop songs sound like that’s as far as the songwriter got. There’s an absolute glut of songs that open with either cheap winter wind sound effects or sleigh bells ringing (always a sign that you’ve got more of a bad Christmas cash-in than real song). That eventually moves to a singer spending a couple of verses singing a grocery list of Christmas-ish non sequiturs with as much fake emotion as can be mustered.
And so I found a lot of stuff like that. But then I also found a lot of stuff like The Spook School’s winsome post-breakup gloriousness,”Someone To Spend Christmas With”. I found a spot for Belle & Sebastian’s “Are You Coming Over For Christmas”, which starts off sounding like a a flirty-but-without-the-rapey-stuff take on the “Baby It’s Cold Outside” formula, but then turns into something utterly beautiful and transcendent. At least for this year, it’s the lesser-known artists who are bringing the feels.
That isn’t to say I didn’t find some old favorites bringing the heat. Whomever in Cheap Trick suggested they cover The Move’s Wizzard’s (we’re all Roy Wood anyway) “I Wish it Could Be Christmas Every Day”, that person is a genius, because this is inspired. And hey, it’s time the Ventures returned to this annual mix, but this time marrying The Zombies to Greensleeves with a surfy twang.
It was also fun to go diving back into my 1990s alt-rock roots a little bit. I can’t believe I’ve never used the Pixies before in a Christmas mix, but I just love Frank and Kim’s call-and-response on the coda of this Neil Young cover. I found a great spot for a Cocteau Twins take on an old familiar kid’s song from back in the day. And then there’s the Throwing Muses track. If Tonya Donnelly’s guitar riff on this doesn’t get you going, you may need to get your ears checked.
It is also both great to find a spot for a terrific new Minus 5 track, “A New Christmas Hymn” while at the same time hearing that Minus 5 main man Scott McCaughey has recovered well enough from his stroke two months ago to be able to play guitar and bass again. That’s the song that provides the title for this year’s mix, too. For all the shouty-ness of 2017, this feels like a good summing up of things:
I’m offering this Christmas hymn
Not for any ghost or Tiny Tim
For both the naughty and the nice
We’re all skating on the same thin ice.
Wherever and however the holiday season finds you in 2017, I hope it’s a happy one for you and your loved ones. I hope you enjoy this mix of rock, soul, funk and a little country, all mixed together as one long MP3, and that it helps provide a little more good cheer. Let’s cue this sucker up and hit play!
We’re All Skating On The Same Thin Ice (Popnarcotic Christmas Music Mix, 2017) (Right click to download and save.)
- Elf practice is not to be trifled with
- “Christmas All Over Again”, Tom Petty
- “Wake Up Christmas”, Lisa Mychols
- “I Wish It Could Be Christmas Every Day”, Cheap Trick
- “Santa’s Got a Bag of Soul”, Saints Orchestra
- “Purple Snowflakes”, Marvin Gaye
- “Blizzard of ’77”, Nada Surf
- “Snowflakes”, The Ventures
- “Frosty the Snowman”, The Cocteau Twins
- “Someone To Spend Christmas With”, The Spook School
- “It’s a Marshmallow World”, Dean Martin
- “Santa Claus”, The Throwing Muses
- “New Christmas Hymn”, The Minus 5
- “The Reindeer Boogie”, Hank Snow
- “Christmas Time is Here Again”, The Flirtations
- “Are You Coming Over for Christmas?”, Belle & Sebastian
- “Winterlong”, The Pixies
- “White Christmas” Otis Redding
- “Cold, Cold Christmas”, Army/Navy
- “Remember (Christmas)”, Harry Nilsson
- “Song For A Future Love”, The Frank & Walters
- “Happy When it Snows”, Seafang
- “Winter Beats”, I Break Horses
- Sing us out, Shane and Kirsty.
What Happened, 1972-1974
It’s easy to adopt a worldview on the history of popular music that goes something like this: The Beatles break up, for six or seven years music sucks, and then punk rock and rap and new wave come along to save everyone. If, like me, you grew up in the postpunk era, you were trained to believe implicitly that the early 1970s were the famine years, the bleakest of eras in rock and soul music. As the yearly mixes from Scott Miller’s Music — What Happened show, that couldn’t be further from the truth. The barren years are indeed coming, but 1972 through 1974 are are a rich and vibrant musical landscape.
Think about it: after a year of post-Beatle breakup shock, you have a number of heady artists leaping into the fray to fill the void…some of whom are even represented here. During the early 1970s, Bowie, Zeppelin and The Stooges put out great records. Roxy Music exploded onto the scene. Badfinger was ever present. The gas tank is about to hit empty…but Miller makes a great case here that 1972 through 1974 was a wonderful time to just stomp on the accelerator and enjoy things while they last.
And so here it is, three years of an end-of-the-world-and-I-feel-fine bacchanal for rock and pop music. This is where rock earns the whole “sex, drugs, and …” sobriquets, where the excesses truly manifest. The next three are going to be slim pickings, even accepting the premise that disco and prog rock were pretty good. Set the controls for the heart of the sun, and let’s jump into some notes on the year-by-year mixes.
1972: The biggest culture shift noted here is part of Scott’s writeup of “Papa Was A Rollin’ Stone”. This was the peak — and also the end — of musical racial integration. As the 1970s proceeded, FM radio caused a huge split and segregation of radio audiences and pop music fans in general. Miller notes that “By 1977, the tribe that had become disco people did not talk to the tribe that had become heavy metal people, and radio that wasn’t market-specific had become commercially unviable.” This final Temptations hit was the kind of song that would suffer the most in this break.
Also ushered in for 1972 is glam. We’re at peak Bowie with “Hang on to Yourself”, and Roxy Music comes zooming in with “Virginia Plain.” If you’ve ever wondered why the nerdiest of guitar nerds champion Richard Thompson above all others, the track here should answer that for you. Jethro Tull brings us another song in a 5/4 time signature, and also an anachronism alert. “Living In The Past” had been released in the UK as a single years earlier, but didn’t show up stateside (and become an FM radio hit) until the early years Tull compilation of the same name arrived in ’72. There’s a generation who won’t understand how perfectly Jethro Tull segues into Pure Prairie League, but that generation didn’t grow up on 1970s FM radio; that Miller takes it right into Curtis effing Mayfield is some kind of awesome genius. The year concludes with my favorite two songs from this year, one from Yes (don’t hate me) and one from Todd Rundgren.
1973: Buckle up kids, this is the longest single yearly mix to date. This particular year contains a number of radio edits that you’re unlikely to notice unless you’re a wonk, but I didn’t try to duplicate Scott’s homebrew edits of “All The Way to Memphis” or “Jet Boy,” and both are just fine as is. Miller also cleverly insists on the 45 rpm single version of “Everyone’s Agreed That Everything Will Turn Out Fine” by Stealer’s Wheel. I agree with him that the album version is far inferior, so the single version is the one I used.
This year’s mix is full of crowd-pleasers. We get our first and only Eagles cut, and it’s the only Eagles song I don’t actively dislike. I also love the way Miller describes beeing a 13-year-old kid in a record store and hearing Roxy’s “Do The Strand”, and how that probably transformed his life and career. Also, “Sweet Lady Genevieve” never gets mention with the greatest Kinks songs ever, and it should. Finally, although Scott Miller passed away in 2013, his eerie prescience on interesting music stuff written about in 2017 begins here with his inclusion of “So Very Hard To Go”, which is an incredibly amazing song, and whose inclusion at the opening credits of the game “Watch Dogs 2” this past year was one of the most noted uses of licensed music in a video game in recent memory.
1974: Look, buster. You got through 2 minutes of the Legendary Stardust Cowboy in 1968, you can get through 2 minutes of The Residents to kick off 1974…especially as the “song” intriguingly finds a melody of sorts after all that noisy craziness in the beginning.
Scott specifically notes that he segues out of that with the radio edit of “Radar Love”, and I’m happy for that. The song loses nothing with the loss of 3 minutes of single-note bass riffs. And then comes out of that with Barry Manilow. Take that, radio programmers. Elsewhere, Miller captures the quintessential Roxy Music track, “All I Want Is You”. Dave Marsh I think described the peak Roxy years as basically sounding like a DC-10 revving its engines, and that perfectly encapsulates the wall of beautiful rock noise here.
I didn’t try to copy Miller’s homebrew edit of John Cale’s “Gun”, and I think it stands as is just fine; if your only exposure to solo-era Cale was his hyperserious 1990s and onward work, finding out that he could rock like hell back in the day absent his Velvets compatriots is a revelation. Finally, ’74 concludes with the monumentally influential “Back of a Car” by Big Star. Miller requires this to be a vinyl rip, and so it is.
The other thing worth pointing out though is that with the Residents’ weird experimentation alongside Big Star, Roxy Music, Bowie, and yes, Barry Manilow in the same mix, we’ve essentially got the building blocks of inspiration on which Miller would build his own entire music career on.
What Happened, 1972
1972 mp3 to download and track list
- “Joy” Apollo 100
- “Papa Was A Rollin’ Stone” The Temptations
- “Virginia Plain” Roxy Music
- “Lean on Me” Bill Withers
- “C Moon” Paul McCartney and Wings
- “Living in the Past” Jethro Tull
- “Amie” Pure Prairie League
- “Superfly” Curtis Mayfield
- “Dirty Work” Steely Dan
- “Rocks Off” The Rolling Stones
- “Give Me Another Chance” Big Star
- “Roll Over Vaughan Williams” Richard Thompson
- “Big Brother” Stevie Wonder
- “Hang On to Yourself” David Bowie
- “Rock and Roll, Pt. 2” Gary Glitter
- “All the Young Dudes” Mott the Hoople
- “And You and I” Yes
- “Couldn’t I Just Tell You” Todd Rundgren
What Happened, 1973
1973 mp3 to download and track list
- “Can You Hear The Music” The Rolling Stones
- “Needle in the Camel’s Eye” Brian Eno
- “Speak to Me/Breathe/On the Run” Pink Floyd
- “So Very Hard to Go” Tower of Power
- “Everyone’s Agreed That Everything Will Turn Out Fine” Stealer’s Wheel
- “Jet Boy” New York Dolls
- “Just Don’t Want to Be Lonely” The Main Ingredient
- “Gimme Danger” Iggy and the Stooges
- “All the Way from Memphis” Mott the Hoople
- “Sweet Lady Genevieve” The Kinks
- “Knockin’ on Heaven’s Door” Bob Dylan
- “International Feel” Todd Rundgren
- “Certain Kind of Fool” The Eagles
- “Drive-In Saturday” David Bowie
- “The Song Remains the Same” Led Zeppelin
- “Funeral for a Friend/Love Lies Bleeding” Elton John
- “My Old School” Steely Dan
- “Do The Strand” Roxy Music
- “Living for the City” Stevie Wonder
What Happened, 1974
1974 mp3 to download and track list
- “Boots/Numb Erone” The Residents
- “Radar Love” Golden Earring
- “Mandy” Barry Manilow
- “Home” Roy Harper
- “All I Want Is You” Roxy Music
- “Jungle Boogie” Kool and the Gang
- “Boy Blue” Electric Light Orchestra
- “Just a Chance” Badfinger
- “Sweet Home Alabama” Lynyrd Skynyrd
- “#9 Dream” John Lennon
- “Gun” John Cale
- “Free Man In Paris” Joni Mitchell
- “Tell Me Something Good” Rufus
- “Amateur Hour” Sparks
- “Rikki Don’t Lose That Number” Steely Dan
- “Killer Queen” Queen
- “Tangled Up in Blue” Bob Dylan
- “Sweet Thing/Candidate” David Bowie
- “Back of a Car” Big Star
What Happened, 1972-1974
What Happened 1972-1974 three-year mix to download or stream.
Popnarcotic 